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Run the business behindthe music.
The audio, the splits, the files, the campaign and the earnings, in one workspace per release. Built for labels and management companies.
Seven tools, and the release lives in none of them
A distributor for delivery. A spreadsheet for splits. Dropbox for masters. A smart-link tool for the campaign. Email for the collaborators. None of them talk to each other, you're the integration layer.
Before
After
Open a release, everything’s already in it
Your team and your artists work from the same release, not from attachments and email threads. Click through the nine areas below.
Overview
Metadata, artwork, store links, collaborators and ownership on one screen.
Glasshouse is out everywhere.
Keep the momentum: share the smart link and plan what’s next.
Tasks
6 of 8 done
Next: Submit to campus radio · Noor
Recordings
2 recordings
Stems uploaded today by Jonah
Earnings
$12,480.62
Next payout Nov 25
Collaborators
Recordings
Every track with its credits, splits, ISRCs and versions.
Glasshouse
ISRC CA-A1R-26-00041 · 3:42 · Master locked
Undertow (feat. Ivy Renard)
ISRC CA-A1R-26-00042 · 3:18 · Master locked
Tasks
The checklist for this release, with owners and due dates.
Messages
The thread about this release, tied to it instead of a group chat.
Glasshouse just passed a million streams. Thank you all, genuinely.
♥ 5Huge. Montréal and Paris are carrying it. Is it time for a remix EP?
Stems are already in Files. I can send them to two remixers today.
Love it. I’ve added the remix brief to Tasks for Maya.
Files
Stems, masters, artwork and contracts, kept with the release.
Glasshouse_Stems.zip
Jonah Arden · today · 412 MB
Glasshouse_Master_24bit.wav
Jonah Arden · Aug 29 · 98 MB
Glasshouse_Artwork_3000px.jpg
Maya Chen · Sep 2 · 6.2 MB
Split_sheet_signed.pdf
Léa Moreau · Sep 3 · signed by 4
Lea_Moreau_press_photo.jpg
Noor Haddad · Sep 12 · 4.8 MB
Remix_brief.pdf
Maya Chen · today · 220 KB
Promotion
Pre-save campaign, smart link, fan capture and pixel tracking.
Pre-saves
1,284
Converted to day-one listens on release
Smart link
18.6K
Clicks across all stores
Fans captured
642
Pixel tracking
Distribution
Delivery status per store, takedowns and redeliveries.
Earnings
Revenue by store, split between collaborators, with recoups applied.
Since release
$12,480.62
Léa’s advance
75%
$3,744 of $5,000 recouped
Applied automatically from her 30% share
Splits
Analytics
Streams and audience for this release, by store and territory.
Streams
1.04M
Listeners
412K
Saves
58.3K
Top territories
Top cities: Montréal, Paris, Toronto
Earnings arrive mapped to your splits
Distribution income and royalty accounting run in the same system. No export, no reconciliation, no second vendor between the DSP report and your artist's statement.
Distribution, publishing, and neighboring rights income is ingested and matched to your recordings by ISRC.
Each recording carries its own split sheet. Percentages calculate on ingestion, and every change is versioned.
Advances and expenses recoup before the split pays out. Self-managed on Pro, automated on Business.
Each collaborator gets their own statement and login, and withdraws when they want to.
Imprints, sub-labels, and 40 artists on one login
A label is not a solo account with extra artists bolted on. Sub-organizations, roles, and territory rights are first-class structures on the Business plan.
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Your catalog. Your data. Your decision.
You control who can access your catalog and royalties, and your metadata, splits, and statement history remain exportable if you choose to leave.
Move your catalog without losing what it earned
Migration is the reason most labels stay somewhere they have already outgrown. Average turnaround is 72 hours.
Import from a Spotify link or a distributor export. Releases, artists, and recordings are mapped for you.
Splits, recoup balances, collaborator records, and contract terms come with the catalog, not just the audio.
Nothing is delivered until you have checked the metadata, the splits, and the payee list.
Takedown and redelivery timing are coordinated so your catalog is not in two places or neither.
Why teams choose Releese
Keep more of what your music earns.
Releese combines a predictable platform fee with a lower distribution share than many full-service alternatives. As your catalog grows, you keep up to 97.1% of distribution revenue.
Pro
Business
See it against your own releases
A 30-minute demo using your roster, your split structures, and your current distributor. We will tell you if migration is straightforward or if it is not.
Before you move a song
What happens to my catalog if I leave Releese?
Your catalog is yours. You can export your metadata, your split structures, and your full statement history, and takedown and redelivery timing are coordinated with your next distributor. Your catalog data and statement history remain exportable if you choose to leave.
Does everything really live in one place, or is storage a separate product?
One place. Masters, stems, artwork, contracts, and documents are stored against the release and the artist they belong to, with unlimited storage on Essential and above. Tasks, team messages, promotion assets, and earnings sit in the same release.
Do I need Business, or is Pro enough?
Pro covers unlimited team logins, self-managed recoups, custom domains, and marketing pixels at a 95% distribution revenue share. Business adds automated recoups, unlimited sub-profiles, territory carving, custom user roles, a dedicated account manager, and a 97.1% share. If you run imprints or need role-based access to the ledger, you need Business.
How long does migration actually take?
72 hours on average from the point we have your catalog and your split data. Larger catalogs with complex recoup histories take longer, and we will tell you that on the demo call rather than after you have signed.
Will I lose playlist positioning or streaming history?
Your ISRCs and UPCs move with you, so streams, saves, and playlist adds stay attached to the same recordings. Editorial placement is always at the platform's discretion, but nothing in a migration resets your recording's history.
Can my artists and collaborators see their own earnings?
Yes. Each collaborator gets their own login and reads their own statement and ledger, including what has been recouped. Custom user roles on Business let you decide exactly what each person sees.
Who owns my data?
You do. Releese is independently owned, so there is no group company with an interest in what your catalog earns. Your metadata, split structures, and statement history are exportable at any time.
Do you collect publishing and neighboring rights?
Yes, alongside distribution, on Essential and above. The revenue share on publishing and neighboring rights is 85% on every plan, including Business.
