Songs on an album

How many songs should be on an album?

By Polina Bondarenko

17 May, 2024

Albums are a staple of the music industry. They can define an artist's career, showcase their talents, and provide a curated listening experience for fans. But when it comes to creating an album, one question arises: how many songs should be on it? Let's dive into the history of album lengths, the factors to consider, and the pros and cons of shorter and longer albums.

The history of album lengths

In the early days of vinyl records, the length of an album was limited by the physical format. Records could only hold about 20-25 minutes of music per side, so albums typically consisted of 8-10 songs total. This meant that musicians had to be very selective about which songs made the cut for their albums, and often had to leave out some of their best material.

Despite these limitations, some of the most iconic albums in music history were released on vinyl in the 1960s and 70s. From The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" to Pink Floyd's "Dark Side of the Moon," these albums proved that great music could be made within the constraints of the format.

Vinyl records and the limitations of physical formats

Whilst vinyl is still very much a physical format, the limitation of the length of music is no longer an issue as most albums are now released across multiple vinyl discs. This has allowed artists to release longer albums without sacrificing sound quality. In fact, many audiophiles argue that vinyl still offers the best sound quality of any format, and that the experience of listening to a vinyl record is unmatched.

Despite the resurgence of vinyl in recent years, the format is still not as popular as it once was. Many music fans prefer the convenience of digital music and streaming services, which allow them to access millions of songs with just a few clicks. However, for those who appreciate the tactile experience of holding a physical record and listening to it on a turntable, vinyl will always hold a special place in their hearts.

The rise of CDs and the expansion of album lengths

CDs allowed for greater flexibility in album length by allowing more songs to be included. This was a game-changer for musicians, who could now release longer albums and include more of their best material. Many albums now range from 10-20 songs or more, with some even offering deluxe versions with additional tracks or remixes.

However, some argue that the rise of CDs also led to a decline in the quality of albums. With the ability to include more songs, many artists began to release albums that were bloated and unfocused, with filler tracks that detracted from the overall experience. This trend continued into the digital age, with some artists releasing albums that were over an hour long and included 20 or more tracks.

Digital music and the freedom to experiment

In the age of digital music and streaming services, the limitations of physical formats no longer apply. This gives artists the freedom to experiment with album length and release more frequent EPs and singles if they so wish. Some artists have embraced this freedom and released shorter, more focused albums that showcase their best work.

However, the digital age has also brought its own set of challenges. With so much music available at our fingertips, it can be difficult for artists to stand out and get noticed. Many musicians are now turning to social media and other online platforms to promote their work and connect with fans.

Despite these challenges, the music industry continues to evolve and adapt to new technologies and changing consumer preferences. Whether you prefer vinyl, CDs, or digital music, there's no denying the power of a great album to move us, inspire us, and bring us together.

Factors to consider when determining album length

Genre and style

The genre and musical style of an artist can greatly impact their album length. For example, punk and indie rock albums are often shorter and more concise, while hip-hop and pop albums can be longer and feature more collaborations and guest appearances.

However, there are exceptions to this rule. For instance, the punk band Green Day's album "American Idiot" is a concept album with a storyline that runs throughout the record. Despite this, the album is still relatively short compared to other concept albums, clocking in at just over an hour.

Concept albums and storytelling

Concept albums and storytelling can also impact album length. These albums are often more focused and cohesive, with a specific narrative or theme. As a result, they may contain fewer songs, but the overall experience is richer and more immersive.

One example of a concept album is Pink Floyd's "The Wall." The album tells the story of a rock star's descent into madness and isolation, with each song contributing to the overall narrative. Despite containing only 26 tracks, the album is over an hour and a half long.

The role of singles and radio play

Singles and radio play are also important considerations. An album with memorable singles may not need as many songs to achieve success, as fans will be drawn to the standout tracks. Conversely, an album without any hit singles may benefit from a larger tracklist to generate interest and keep listeners engaged.

One example of an album with successful singles is Adele's "21." The album features only 11 tracks, but several of them were massive hits, including "Rolling in the Deep" and "Someone Like You."

Attention spans and listener engagement

The attention span of the listener is also a factor. In an age where people have shorter attention spans, shorter albums may be more appealing to listeners who want a more digestible listening experience. On the other hand, longer albums can offer more variety and experimentation, keeping listeners engaged for a longer period of time.

One example of a long album that keeps listeners engaged is Kendrick Lamar's "To Pimp a Butterfly." The album features 16 tracks and is over an hour long, but each song offers a unique perspective on race, politics, and society, making for a thought-provoking and engaging listening experience.

Pros and cons of shorter albums

Easier to digest for listeners

Shorter albums can be easier to digest for listeners who may not have the time or attention span to sit through an hour-long album. They can also be more accessible for new fans who may not be familiar with the artist's work.

More frequent releases

Shorter albums can also lead to more frequent releases. This can keep fans engaged and interested, as well as provide more opportunities for the artist to experiment with new sounds and ideas.

Focusing on quality over quantity

By limiting the number of songs on an album, an artist can focus on quality over quantity. Each song will hold greater importance, and there is less room for filler tracks that may detract from the overall listening experience.

Pros and cons of longer albums

More room for experimentation

Longer albums can provide more room for experimentation and exploration of different musical styles and ideas. They can be seen as a way for an artist to showcase their versatility and talent.

Catering to die-hard fans

Longer albums can also appeal to die-hard fans who want more from their favorite artist. They may be more willing to invest the time and attention to fully appreciate a longer album.

Higher streaming numbers and revenue potential

Longer albums can also generate higher streaming numbers and revenue potential. The more songs an album has, the more opportunities there are for fans to stream and generate income for the artist.

Conclusion

Ultimately, how many songs should be on an album will depend on various factors, including genre, style, attention span, and storytelling. Shorter albums can be more accessible and focused, while longer albums can provide more experimentation and variety. There is no definitive answer, but artists should consider their audience and goals when determining the right length for their album.

Polina
Written byPolina Bondarenko

Lina Cooper is a young up and coming pop songwriter, artist, producer, a graduate of Berklee College, a self-proclaimed Yellow Manic Pixie Dream Girl and a Ukrainian native currently residing in LA.